Publications

Books

  • 2000 The Merchant of Venice, William Shakespeare. Applause Shakespeare, Library, London & New York: Applause.

Series Co-Editor:

Special Responsibility for Editing:

  • 2002 Negotiating Culture, by Ian Wilson
  • 2004 Transglobal Readings, by Caridad Svich

Editor

  • 2005 Shakespeare, Language and the Stage: The Fifth Wall, Issues in Practice and Criticism, ed with Lynette Hunter, pp. 192 (London: Thomson Publications, 2005).

Articles

  • 1991 “Directing The Crucible at the Leicester Haymarket,” Coup De Theatre, No. 11 (December 1991) 99-103
  • 1994 “Searching For Sexuality Beyond Gender Stereotype” in EuripIdes’ Women of Troy”, ed. Nicole Vigoreux-Frey, Voix De Femmes a la Scene a L’Ecran (Presses Universitaires de Rennes, 1994) 63-67.
  • 1996 “Peter Stein,” in Contact with the Gods? Directors Talk Theatre, eds. Maria M. Delgado and Paul Heritage (Manchester & New York: Manchester University Press, 1996), 239-259. Reprinted 1999.
  • 1999 “From Stage to Page: Turning to Theatre Practice for Ways to Talk about Character” with Lynette Hunter (50/50) in Translating Lives, eds. Shirley Chew and Alistair Stead (Liverpool: Liverpool University Press, 1999) 53-73.
  • 1999 “Maria Irene Fornes,” in Conducting a Life: Reflections on the Theatre of Maria Irene Fornes, eds. Maria Delgado and Caridad Svich (Lyne, New Hampshire: Smith and Kraus, 1999) 208-213.
  • 2000 “Shakespeare’s Language in the Theatre,” in Reading Shakespeare’s Dramatic Language, eds. S. Adamson et al (Thomson Educational, 2000) 158-172.
  • 2000 “Sex, Politics (and Religion?): What’s Wrong with British Theatre,” with Lynette Hunter (75/50) in Theatre in Crisis, eds. Maria Delgado and Caridad Svich (Manchester University Press, 2002) 31-41.
  • 2002 “Crosscultural Theatre in England: Will it ever Succeed?” with Lynette Hunter (75/50) in Theatre in Crisis, eds. Maria Delgado and Caridad Svich (Manchester University Press, 2002) 41-53.
  • 2002 “British Theatre and Paris at the end of the Twentieth Century,” in The Paris Jigsaw: Internationalism and the Paris Stage, eds. by David Bradby, Maria Delgado (Manchester University Press, 2002) 277-86.
  • 2003 “Reading in the Moment: Theatre Practice as a Guide to Textual Editing,” in In Arden: Editing Shakespeare, eds. Ann Thompson and Gordon McMullan (The Arden Shakespeare, 2003), 138-156.
  • 2004 “Negotiations Between Text and Stage in Romeo and Juliet,” with Lynette Hunter (75/25) in Shakespeare Bulletin, Vol. 22, Number 2 (Summer 2004).
  • 2005 ‘Text and Voice’, with L. Magnusson and J. Jenstad, in Shakespeare, Language and the Stage , eds L. Hunter and P. Lichtenfels, pp 10-37 (The Arden Shakespeare, 2005).
  • 2005 ‘Teaching Tools for Speaking Shakespeare’ in Shakespeare and Performance, eds Barbara Hodgdon and W.B. Worthen, pp 644-58 (Blackwell Publishing, 2005).
  • 2006 ‘Editors’ Forum’, with Janelle Reinelt et al, Theatre Survey pp 169-173, 47:2 (November, 2006) [response article to three professional journal issues writing on international performance, commissioned by the editor of Theatre Survey]